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Depending on what tones you want, I often set all the controls on the RAT at about 2: Keep in mind that amp settings should always be based on your guitar, pedals and preference. The TC is true bypass and will work better with fuzz. I got an HSS strat because I wanted to have some versatility in sounds. If I can make it work, how would I do that? Using DG examples of course. Which seems to be just a preamp basically in stompbox form.

Does that have to be so loud etc etc etc. I ask because I just ordered a standard, but i can pay extra and get a Bias mod ….

Makes me want to get an HM-2 just to try it. Between the amps you mention I would definitely consider the Ttube. The Hoof is a great alternative too but it might be better for the early stuff, rather than the more present tones.

In addition to the familiar controls, the Bad Angel feature a boost switch for a second gain stage, allowing more of pretty much everything on solos and heavier parts. Like it has no bass at all and it just sounds shrill for the most part: I noticed an improvement immediately. Also, you need to be careful with the gilmoueish end and increase the mids a bit.

The range of the drive knob is perfect… from no boost, to searing lead tones with long sustain. I play in a cover band…. Hi Don, obviously the number of pedals and which pedals you should have on your pedal board, depends on what tones you need. The hot tubes creates compression and the speakers gets pushed hard, which makes a Big Muff sound smooth and dynamic. I have a question for you Resently I reciewed a Pig Hoof.

I would perhaps place the fuzz first, before anything else, to avoid any tone alteration.

David Gilmour’s BK Butler Tube Driver | Equipboard®

My questions revolve gilmourizh a technique Gilmour uses to time his famous 4 note phrase. The Crayon can also be tweaked for more vintage tones similar to the Colorsound Powerboost that David Gilmour used during the mid 70s.

You can stack these and add more mids to the M1 but the Tumnus also has a lot of compression, which can make Muffs sound darker and almost choked. I prefer having UniVibes and phasers in front of the gain pedals, so you might want to try that as well.

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I appreciate any suggestions very much. I was wondering if you might be able to guide me in some decisions. I think there glimourish multiple factors affecting the tone coming from the Evolution: So I plugged it in and turned it on and I actually drooled on the floor like a dog, really, it took me about 0 seconds flat to understand that this is absolutely the BEST overdrive and clean enhancer conceivable.

The Time Machine sounds great and you got a gilmourissh of different options with it. But it was night and day when I plugged in the Double Decker.

But peer pressure made me try the compressor in front of the OCD and then. Between the two, I would probably go for the Royal Blue for boosting. So I was wondering: Anyways…need you adivice on another thing. All the modulation and stuff sounds added in the mix.

The design with new technoligy, was also more relieable than the previous silicon and germanium transistors.

I also use a heavy gauge 1.

This pedal is extremely responsive and dynamic and ideal for bedroom setups and scooped amps. I assume they either used a metronome or click track when they recorded.

For example I have a MXR Classic Fuzz that needs its buffer on to work with gilmouris wah, but that makes the fuzz pretty shrill and weak.